more quality from kenny dope, here in his soul fuzion guise. >i got rhythm< leads with the kickdrum (think >iko iko< given a house touch) and then a soulful vocal from vee drifts over the top, while lush chords and a subtle bassline complete this late night groover. on the flip, the >ritual mix< fattens out the bass and kickdrum, and lets the vocal drift more into the back ground, letting newly added percussion come more into play on a slightly tougher take than the original.

driven by a vicious and visceral soul, the buttshakers are known for their fierce and fiery music. yet after nearly a decade of touring and recording, it was with a different musical vision that they approached sweet rewards, their first collaboration with underdog records. accustomed to the raw, primitive sounds of 60s garage rock and the crude sexuality of premotown soul music, a sound they could have continued to dig into again and again. instead, they decided to take another route: a creative shift, a return to a style of soul music that no longer has to rely on pure energy alone. exceeding the limitations imposed by their tight yet powerful six person lineup, they opened up this studio session to fully accommodate their ideas and concretize their musical ambitions: a larger horn section creates a richer, scintillating sonority, a touch of slide-guitar opens their creative universe to the open spaces of the far west, the organ vacillates between psychedelic drapery and heartfelt gospel tones, all of this supported by the wicked groove of a percussionist driving the beat on. their sultry and soulful frontwoman, ciara thompson, is here for the first time supported by backing vocalist. an occasion for her to indulge in a few call and- response chorales, a reverence to a gospel background instilled in her from her native st louis (missouri), a still vibrant heritage from the city that cradled jazz, blues, country and folk music. ideal for a sound that never lets down yet remains intuitive to the gradual rise of emotion each song demands. with each new listening, sweet rewards reveals something new to the listener: another dimension, a hidden layer.

get on down presents an often overlooked crucial reggae release from the 1970s with johnny clarkes rockers time now. the record is a mix of covers and originals, including ethereal versions of the the abyssinians satta massagana and declaration of rights, smash hits on the island just the year before. rockers time now was first issued in 1976, clarke had just been named artist of the year in jamaica for the second year in a row. this is just one of three full lengths he released that year as this was a very prolific period for clarke, in particular from 1974 onward when his output was directed by legendary producer bunny lee. the pairing resulted in a creative energy that resonates to this day. the release was recorded at channel 1 with bunny lee producing, which of course means the band backing the popular jamaican vocalist was the aggrovators, which at the time included robbie shakespeare, earl -chinna- smith, augustus pablo, and aston family man barrett. the release was mixed at king tubbys by osbourne ruddock…aka king tubby. crucial all the way around. now is the time to rediscover a classic of the genre, rockers time now.

barefoot beats are back with more mighty fine brasilian vibes on a limited edition 10 inch vinyl. first up is disco lover dicky trisco who really lets loose on a seriously groovy chunk of brasilian funk that unwinds slowly and deliciously until the horns declare that its time to dance! meanwhile on the flip, rio based dj and producer joutro mundo hits full-on beach party mode, where you can really feel those barefoot vibes flowing. vamos!

during all my years as an active musician in different constellations i have also worked continuously with my own material. a kind of unrestricted flow of creativity that has given birth to a lot of different expressions. so listening to this album is a journey through many phases in my life. v.v.v.v.v is an album with a sound world like a kaleidoscope of moods and melodies flowing between silky kraut pop and distorted synths. claesons takes on his debut album out experiments desire and lets his kraut background form the basis and tops with modern electronic sound

time for colours, a new series with a playful sound and the world as inspiration. on yellow ep, lyssna invites the italian producer riciar ghir to contribute on a1 with dreamy cargo bubbles and tribal drums. a2 showcases the italian duo, minimalafrika. with several great releases on their resume, drakma queen takes you on a deep sci-fi house ride. on the flip side b1 yet another excellent italian producer robotalco comes along. involved in getwet records and one half of the fake congas duo. no more disco takes you back to the old school 4/4 sound with playful and funky tunes. last but not least is b2 with the young talented stockholm duo klubbhuset that released their debut album on the great nyc label lets play house. ss0817 is a classic house track with warm disco samples and hypnotic swirles that makes you wanna move your hips.

jackie moores 1979 disco bomb this time baby is one of the biggest tracks of the genre. a total classic that found fame on the dancefloors via djs like david mancuso, larry levan and ron hardy it is the epitome of a roof-raiser. produced by philly legend bobby eli (mfsb, salsoul orchestra, stylistics, barbara mason) and mixed by underground disco legend john luongo this is an essential 12. originally performed by the o-jays jackies version ramps the energy right up to the max and cranks the heat up to 100. everything is here, killer driving drums and percussion, that bassline that drops, the cowbells, horns, strings and of course...... jackie! this is a straight repress of the 79 pressing on columbia and features the sweet b-side lets go somewhere and make love, another breezy philly number courtesy of mr. eli yet again. all round quality. this classic has been legally reissued by above board distribution in conjunction with the legal rights holders - sony music entertainment. this high quality repress features original columbia pink label disco 12 artwork and has been remastered from sonys original sources by optimum mastering, bristol uk.

slam city jams are back with their first compilation. a 4-tracker packed up with five amazing artists from all over the globe. and lets face it: its a breaky affair! starting off with our munich homeboys from coeo. known for their funked up house tunes on toy tonics, they start into complete new realms this time. ‚never going home‘ is the perfect example of a dope broken beat electro tune, that with its weird synth line & smooth breakdown never failed on a gig in the last months. on a2 the man doppelate from london (lets go swimming rec.) exactly hits the spot with mezmerizing synths, tight drum programming and a crunchy acid bassline on ‚four feet up the stairs‘. the flip side starts off with label head honchos rhode & brown, who teamed up with their buddy leo woelfel from austria, both known for releases on toy tonics, public possession or lets play house. here the name ‚more drama (less hysteria) says it all: pure drama on this breaky acid tune! to round up this great package weve got marco lazovic from moscow on b2. he digs deep ‚in the jungle with rolling 707 drums, dreamy synths and this tropical atmosphere we cant get enough of.

aux88 bass magnetic re-issue 1993-2018. back by popular demand, the same unique spirits that brought forth the sound of detroit streets and turned it into the futuristic soundscape known as techno-bass , the original members have collaborated to re-issue their catalog 25+ years later. starting with their 1st double pack lp, bass magnetic (considered to be a mesh of influences between miami bass and detroit techno), aux88 established themselves in an effort to stay true to their roots in the streets and the clubs creating their own genre into a global dance culture. after the release and production of their own documentary ( aux88-portrait of an electronic band ), the group celebrates its now classic recordings. harkening back to its first days on cassette tape to revive a future generation of vinyl aficionados. aux88 s bass magnetic = classic detroit electro.

louie vega re-ignites the disco classic “dance (disco heat)” by sylvester grammy awarding winning producer & 5 time grammy nominated louie vega continues to send dance floors into a peak hour frenzy with his remixes of disco classics on nervous records. the inspiration to delve into masters from this era began when he started remixing masters from the sam records catalogue, which is owned by nervous records, and with whom louie has a long history going back to nervous early 90’s origins. louie is that unique producer who has had success in multiple genres of music including house, r&b, & freestyle and he has brought that talent to help re-ignite new york disco classics like vicky d’s -this beat is mine- and convertion’s -let’s do it- featuring leroy burgess, as well as charting topping disco hits from john davis & the monster orchestra -bourgie bourgie- & -up jumped the devil-. this time, louie put his focus on a track outside of the sam records catalogue, and one that was an international disco hit that also crossed over to becoming a 1978 pop hit, namely sylvester / dance (disco heat). using elements from the 1978 version and combining them with his own original musical and percussion contributions, along with new vocal performances from renowned singer cindy mizelle, louie has refashioned and reignited this 39 year-old production into a 2018 club anthem.

2017 vinyl release of no doubt s first studio album from 1992

joran van pol is back on minus with edge, a fantastic four track ep that is his first on the label since 2013. in the years since, the amsterdam based artist has set up his own fade label and has continued to evolve his cinematic techno sound. previously, van pol has also released on labels like rejected, sci+tec and ideal audio, and has the support of all the big techno players who often reach for his tunes in their sets. as a dj he is just as in demand, with headline slots everywhere from space ibiza to time warp all behind him. having recently set up a new studio, he is still coming on strong with fresh inspiration and ever more essential grooves. ‘illos opens things with seven spooky minutes of icy techno. rolling rubbery drums pump away below, and the details up top make for an evocative soundscape with distant industrial sounds, groaning bass and razor sharp hi hats all filling your mind with imagery. next comes title track ‘edge, another brilliant sonic landscape with tense chords repeating over ticking percussion. its a track that builds tension throughout, and keeps you looking over your shoulder into the eerie blackness. the perfectly high pressure ‘return is one that locks you in and never lets up, with warped synths snaking above traintrack like drums and hits. a dark, rumbling bassline and the sounds of pistons releasing air all add to the intensity of this brainmelting bit of futuristic techno. last but not least, ‘frostbite is then the most spacious and spooky offering of the lot. it has freaky alien sound designs scattered around the track with supple kicks driving the whole thing forwards. its an absorbing cut that hurries along and takes you for a thrilling ride. these are four more inventive techno tracks from one of the contemporary scenes brightest stars.

the 2nd album from tlc, originally released in 1994, now back on 180 gram double vinyl with download code included.

limited vinyl copies , dj reverend p with fresh killer edits

the jaunt records 10 years series shores up with the land installment featuring another four adventurous souls that have the spirit of deepest techno in their bones. stojche lets lush motor city synths lead the way on the energetic the exchange before awol gets into an intricate broken beat groove on the stunning 54.973379, 1.614705. luke hess brings some unabashed acid gurgles to the front of the mix on tdy and then deep a & biri plot a course for dubby waters with the growling tones of pilgrim.

the third single from new york based stray current records is a slice of classic piano house. producer d. briggs is joined here by vocalist danhy clermont, who brings a warm, soulful mood to the track. for the a-side remix, briggs breaks the track down and gives it a minimal, electro-pop feel. then on the b-side, globe trotting dj and lets play house label boss, jacques renault delivers an amped up version that will bring the heat to the dance floor.

arkansas native, lee moore moved to memphis in 1975 with only one goal in mind: to make it big in the music industry and to release music that would be played in new york, l.a and everywhere in between. as a singer and songwriter lee moore spent the 1980s collaborating in memphis with the best of the best session musicians and vocalists from labels like volt and stax records to record and release futuristic boogie, soul, and funk. in his quest for a unique sound, he constantly reinvented himself, creating projects with new aliases and concepts, scraping together studio time, and hustling. even today, moores music sounds ahead of its time.

san francisco label left hand path’s latest record is a contemporary techno opus, featuring four tracks, each with a distinct sound and feel, designed to set off a dancefloor and invigorate your stereo.

helmed by a crew of ex-pats in hong kong craving the musical stimulation of their birthplaces, homesick is a celebration of the nostalgia and passion at the root of all musical experience, as channeled through seriously on-point disco edits. after choice turns from general ludd, marquis hawkes and others, this various artists 12inch brings back former guests in an implied fashion for more of that worldly, adventurous boogie business. apocalypse now simmers with unresolved tension, tart drums and gnarled synth lines, while african temperament lets the percussion tumble in a cavernous space. summer madness is a simmering, drum led version of kc flightt s classic, and then gik gwong zung pings the record off into cosmic synth disco territory for a perfect finishing move.

back to paradise garage with more unreleased rare boogie & classic disco mixes featuring grey & hanks dancin, “master rocker” by bernard wright & melba moore’s “let’s dub together” plus a bonus b side by giorgio moroder! these exclusive cuts are only available on this 12&#8243,,, release so don’t sleep!

• second in a series
• bent bare bones dance trax from powell
• experiments with new, polyphonic hardware
• mastered and cut by matt colton
• riyl autechre, afx, din a testbild, all the best oddballs
• vinyl only, no digital, strictly limited!!!

sa-ha-ra are a london based writing and production team led by peter hinds keyboards player of uk funk outts light of the world, incognito and beggar & co. with partners steve sinclair and kevin ellis they wrote and produced the enduring club classic “love so fine”. this 9 track vinyl album for 2017 includes tracks which expand on the sa-ha-ra sound and includes dance, soul and funk.

woke is tigas third release so far in 2017, and was recorded at montreals lost star studios before he returned to ibiza for the summer. he started this year with eye luv u (co-produced by one half of paranoid london), his first new material since 2016s blondes have more fun, and the track that marked his return to turbo recordings. april saw tiga vs audions nightclub ep, the third collaborative release from tiga and matthew dear, and the follow-up to their mega-hit lets go dancing and the micro-hit fever. the nightclub ep featured 3 new productions: stabbed in the back (lead track), pink bells, and nonstop, and picked up heavy support from jamie jones, the martinez brothers, boys noize, dubfire, kolsch, heidi, gerd janson, erol alkan, michael mayer, and more.

20th anniversary deluxe edition. 14 remastered tracks on double vinyl. housed in a gatefold sleeve with download code for all tracks from the cd-version included.

one per customer ... papersleeve edition (no artwork)
ltd remixes from melchior productions ltd , kreidler , kettenkarussell

delsin records inertia series is back with a powerful four tracker from yan cook. the producer from ukraine has also released delsin s main label and associated ann aimee, as well as planet rhythm and cooked. he makes straight up techno that arrests your attention and does just that again here. toucan is first and is a spangled, underwater techno track with gurgling lines wrapping round shuffling percussion and insistent drums. it s one to get into your head, while puffin is more physical, with more warped synths and paddy drums woven together into a fluid, rippling groove that never lets up. the drums on dialogue are deep and land with real resonance while dubby chords rattling out to the horizon. last of all flamingo is the most manic of the lot, with hi speed synths and booming drums all coming together to make for powerful, sub shaking and room filling techno madness.

happy bithday metro area. timeless tracks für die ewigkeit ... must have ... 2021 repress!

we are pleased to welcome back two old friends: dmitry distant and igors vorobjovs! remember the amazing track these pros teamed up on for in the dark again 05? now they’ve come up with a whole ep, featuring 2 tracks od dmitry and 3 of igor. you’ll find igors delivers some intergalactic electro, and dmitry lets the melancholy of a gloomy wave sound rise.

gary shider joins the p-funk gang and they hit paydirt with the dancefloor power of the title track, and the much sampled ‘nappy dugout’.

london based disco outfit faze action team up with celebrated anglo/brazilian artist, nina miranda for proto house crossover. faze action have always managed to take different musical traditions and blend them to create sounds that are somehow familiar whilst simultaneously containing the unexpected. last year s mangwana, featured long time faze action collaborator, zeke manyika, singing in his native zimbabwean shona over faze action s infectious disco production. this time, british/brazilian singer, artist and all round creative force de majeur, nina miranda, takes things further with her invitation to vamos pintar or let s paint, in portuguese. on the surface there is the familiar faze action restyled proto house but it soon becomes apparent that the brothers have appropriated more than just a brazilian vocal. punchy 808 drums and fizzy synths are infused with brazilian caixa and pandaro as if they had always been designed to co-exist. the remixes come from the illustrious max essa, whose british born/tokyo resident background chimes well with the international nature of this latest offering. his slo-mo bubble dub simmers with mediterranean sun that reclines into romantic piano flourishes and dubbed out vocals, whilst the extended dub manages to draw out the original elements at their original tempo. faze action s own paradise 90 dub closes the package by keeping close to the original arrangement with added economy and plenty of dub delay of course.

clean slate is the first release from addremove on swiss label thrènes. there isn’t a lot to say about addremove himself or herself as he/she prefers to keep their identity unrevealed, at least for the moment, so lets concentrate on the music. clean slate consists of 5 original tracks and a remix from jk flesh (project/alias of justin broadrick of godflesh, final and jesu).

dub-stuy welcomes up and coming producer blind prophet for a conscious dub release in collaboration with russia’s tenor youthman and italy’s numa crew. long island, new york s blind prophet makes his debut on dub-stuy records alongside the vocal talents of tenor youthman , one of the founders of russia’s lion posse sound system. ‘ marijuana burns capitalism ’ is a deep and meditative social statement sure to move the dance and stimulate the heads. on ‘marijuana burns capitalism’, blind prophet lays down a solid riddim, with a deep driving bassline and a bubbly harpsichord skank, for tenor youthman to sing about the liberating properties of hemp in fighting the evils of mass production and capitalism. the result is a simple and effective cut backed by a sparse dub that lets the drums and bass roll out to full effect. the flip side sees florence’s numa crew deliver their own fire for the dance with another straight to the chest dub version that focuses on the bassline and tenor’s unique vocal style. a 12” for the massive that continues the uplifting sound system music dub-stuy is known for.

the artist known as g-23 continues his journey to the head of the gum under the schooldesk underground with this release on torn hawks valcrond video. this multi-faceted italian producer also deploys weirdo sounds under the name secret rave and strange audio dreams, often on his own label art-aud. he has also released under the alias moscow death disco on helena hauff s return to disorder. remixes of access code from valcrond affiliates decor and mr. husk start off each side. both will pound and smear club meat all over the countertop. lets pound those veal cutlets so thin you ll be able to see through them like flesh-pink stained glass. a2 brings us the sleazy slouch of bleep shots. it sure sounds like a crew of developmentally impaired bullies out to steal your lunch money, so hold on to your fanny pack. finally, the title track closes things out in a brilliantly uncomfortable way. ars trip is a headache you d pay to have.

on latino body music vol ii sano continues to explore his musical heritage connecting the dots between tradition and news. for this record he picks up the champeta style that had its origin in the streets of colombia. the mix of repetitive rhythm patterns and chants performed by local legends like hernando hernandez is an integral part of the huge soundsytem culture that takes place in the streets of cartagena. by adding small hints to contemporary western club culture like a classic house piano, or an acid baseline sano reinterprets the tracks for our dancefloors without loosing any of the original hypnotic flavour. the early champeta dances were called therapy and seen as distraction from everyday problems. lets move!

classic disco , pressed on 180gr

disco bits return with more edits aimed straight at late night disco dancefloors. four more lovingly re-tooled jams (including a very cheeky early 90s style mash-up!) await as varied as they are well crafted, this is optimum floor-food once again from the disco bits crew

remastered reissue of the 4th studio album by the clash, originally released in 1980. pressing on 180 gram triple vinyl.

adventures in paradise launches with the esteemed line-up of dedication, featuring felix dickinson, tsuyoshi kosuga of cro-magnon and other like-minded groovers. previously found on dfa and claremont 56, this occasional project steps up with the heavy disco funk groove of -show me love-, which lays down a rich spread of instrumentation with danielle moore of crazy p fame on vocal duties. for those who just want the heads down business, there s an instrumental on the flip that lets the dazzling production shine through. for those craving and advanced slice of modern disco, look no further.

la bestiole is a tiny little creature that love old and unusual dance music. digging, cutting, gluing, and loving.

being selfish, is one of the good things about running your own label. if you please, you can just try and re-release that certain record that you always wanted for yourself, but never could get your hand on it. now, you can just edit it the way you always wanted it to be (oh, those fade-outsà) and press it up. this is one of these occasions. when kalk (the collaborative project of philippe heinen and joffrey becker) was released on julien briffaz label brif in 1999, i just had started to dj out at a club in darmstadt (the late cafÚ kesselhaus) and the restrained, yet punchy house tracks symbolized what i liked about deep house back then: a mellow alternative to the bpm hunt and rigid attitude in mainstream techno, while not losing itself in chin-stroking wisdom or pesky noodling. it seemed that there werent too many around with the same desire. otherwise akasha wouldnt have remained a diamond in disguise and not what morgan geist so aptly named an unclassic. by his definition, that is: an old by and large forgotten record that would have deserved to be hit. if you take discogs as an indicator, more and more people start to think so though. here is your second chance to obtain a copy of the spirit of kalk. mildly edited and restored in the best human-possible way. mind you, its old house music from days of yore. dj gj

perfectionist comprehensive techno compilation - warmly recommended!

we’re really pleased to present you with the full vinyl lp collaboration between the highly respected jazz spastiks and up and coming mellosoulblack. “midnight method” features 11 full tracks, including the highly acclaimed single, “what you heard” and back-to-back heaters such as “follow the leader” and “rock the spot”. this comes on black vinyl (in a polylined inner) with a full picture sleeve, there are 250 copies available for retail. make no mistake: this one s a strong contender for album of the year, so dig in!

iron curtis back catalogue is a formidable beast within the realms of deep and tech house, touching on labels like morris audio, jackoff, sudden drop and mule electronique. he s intermittently popped up on hudd traxx as well, and he returns with a fulsome new ep that hints at a forthcoming second part.lights- is a bold, chiseled peak timer with some emphatic string stabs coursing through it, while captured takes a slinkier route without dulling the impact of the curtis studio approach. 22 days is a funkier concern that lets the low end synths do the brunt of the work, and then my humming machines rounds the ep off with a warm and bubbling deep house roller for a cosier part of the night.

as spring casts its glow over the barren and fissured valley, the whiskered sciurine known as rvs can be seen emerging cautiously from its burrow opening, out into the crisp hillside breeze. revitalised from her slumber, she lets out an abrupt and shrill chirp that seems to declare all at once, -it s party time and boy do i have a corker for you-, one that reverberates across the landscape permeating every bush, branch, pasture and crag, where lifeforms large and small may otherwise be spotted scuttling in their daily forage. the other beasts awaken, and realise that it is time . with some dexterity and slight of paw, the rvs rodent produces a shiny black disc from the folds of her fur and flings it high into the heights of valley, exploding into a rainbow bursting with every emoticon known to the internet, thereupon thundering the sounds of asadinho s when we come to it across the streams and tree-lines. commencing with the silverlining remix, then the original, then the track titled koppaitch, each member of the wildlife community remains hypnotised with this incomparable detonation of sparkle, rhythm, and the poetics of the mighty maya angelou. as the display descends into the foliage and dissolves away, the rvs scriurine pauses to compose herself then retreats to her work cave to get working on the next of these black discs and the wildlife convention she calls the rvs weekender.

the second release on resonance comes from emergent russian producer ivan erofeev, who was previously moonlighting as aleph before reverting to his birth name. there s a tantalizing drama embedded in abdumanob, all taut tribal percussion and an insistent kick. bed of honour is a deeper cut fleshed out with atmospheric dubby ripples, and tribe taps into a more classic kind of contemporary techno headspace. resin flips the script with some crusty piano samples and a lopsided beat, caucasus strips things down to a mean tempered rhythmic core and aerograd lets the cyclical bleeps do the talking

toby tobias joins delusions again for what will be his sixth(!) 12inch entitled the rain. the prolific londoner whose releases have graced such venerable labels as rekids, esp intistute and lets play house, is back with a vengeance, delivering two mighty fine originals plus a remix from nebraska. in true toby tobias style, the rain got made on an mpc, sliced and edited from a single live take through the desk then accidentally deleted so no further mixing, sequencing or editing could be carried out. but what is an a&r mans nightmare, turns out to be the record buying djs gain, as the improvised, dubby vibe and raw as mixdown give the track an authentic feel and energy which could only come from the madness in tobys method. fresh from his brilliant releases on mister saturday night and razor n tape, we have our man nebraska do his thing on the remix of the rain. dropping down the bpms a bit from tobys more frenetic original, nebraska adds a healthy dose of moogy lead lines to the lo-slung house groove, perfect for warming up the dancefloor.

earlier this year we were lucky enough to cross paths with the upcoming genius that is sublee. as you enter his world, his landscapes effortlessly enhance, twist, turn and modulate. the rhythm teases and pulls you, lets you go and brings you ultimately into something 4d rather than 3. perfectly fine-tuned for the smallest and the largest of dance floors, or to accompany your travels as the world drifts by. with over 48 minutes of play-time over 4 tracks, we present to you “sublee - their mind”.

running a label with the ambition to push new and unique voices isn t always an easy task. while finding new artists is about as hard as finding a black t-shirt in berlin, most budding artists seem pressured to conform or mimic the already established, only to be heard. performing under the artist name bleie, oakland resident sarah bly is not one of them. originally hailing from seattle, she indeed works with the mortar of techno form, but uses different bricks altogether. it s a hard sound to articulate, at first, it s almost alienating to ears worn by years in dark clubs. its mercurial, yet still surprisingly club compatible nature makes it an aural tiger balm – it burns and soothes at once. this compositional depth is perhaps a result of bleie s background as a trained pianist and violinist, by which she transmutes the commonly associated tropes of the genre. bleie lets the elements rule over the form, giving the tracks a morphing and unpredictable feel. obviously we were instantly intrigued when stumbling across her music, and now extremely proud to present her vinyl debut certainty is only a feeling . four tracks of unique techno so brimfully suggestive that it s nearly peerless. we can t imagine this leaving anyone unaffected.